She made it all come together, and the day she showed me of Fei Fei standing in front of Lunaria with crazy, glowing colors, radiating light, made me laugh and then cry.”Īnd then inside there was a different inspiration: The Philharmonie of Paris for the concert hall, where Chang’e performs the original song, “Ultraluminary.” “The curvy shapes of the balcony are really close to our aesthetic of the buildings in Lunaria,” Desrumaux said, “and it really gives the feeling of floating elements. “The way Miró did his paintings, it feels like music,” he said, “and it’s full of childlike wonder. Keane then offered an additional inspiration for Lunaria: the surreal work of painter Joan Miró, who had a fondness for conveying the movement of abstract shapes. It was so harmonious with the elements.”Īnd it became an epiphany when Desrumaux smartly flipped the aesthetic for Lunaria, going from reflected light to Chang’e’s sourced light. She pointed out the white walls, and I said, ‘Yeah, they’re white.’ And she said, ‘No, they’re not white! They’re green and blue and gray and brown!’ She went on about the colors and the reflected light. “What Céline brought was her deep study into China and the little water town we visited together.
Director Keane instantly embraced the production designer’s concept for connecting Lunaria to Chang’e as a stark contrast to earth.
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